I try to make my reviews as spoiler-free as possible, but there is an aspect to this game that can’t be ignored, yet I don’t want to spoil. For that reason, I’ll include the spoilery parts under a “read more” link for those who aren’t aware of what P.T. really is.
All screenshots were taken by me using the Playstation 4’s share feature.
Last week, at Sony’s Gamescom conference, they debuted a trailer for a new horror game called P.T. The playable demo for P.T. launched immediately after, available for download on the Playstation 4 store.
As it turns out, P.T. was harboring a huge secret that only took the internet about an hour to figure out, after which news broke everywhere. I went into P.T. after reading the headlines, so I knew what I was working toward. I did not, however, have any idea what I’d be working through.
P.T. is a horror game. You’ve probably seen my thoughts on the horror genre in video games on this blog before (if not, I touch on them in my Outlast review here). In short, all of the horror classics have either gone on hiatus, or have shifted genres until they’re not really horror games anymore. Many indie games have come forward to fill the gap, but a lot of them are too short for their own good (and let’s be honest, a lot of them are also ripoffs of Slender).
P.T. pays homage to recent works of indie horror. Played from a first-person perspective, you wake up in a grungy basement, complete with cokcroaches. The basement has only one exit, so you take it, and find yourself in a hallway.
Immediately noticeable are the game’s stunning graphics. While the anti-aliasing is almost nonexistent and screen tearing is present at times, the lighting sets the mood. Things are perfectly reflected in the hallway’s polished floor, the lights bounce shadows down the hall as they would in real life. It looks like a real hallway.
Walking down the hallway reveals a messy house. Food and empty beer cans litter the floors and counters, cockroaches scurry across all surfaces. Rain hits the windows from outside, a rusty hanging light groans as it swings back and forth in the foyer.
There’s a radio near the front door that blasts a news report about a father who snapped and killed his family. He’s the latest in a rash of similar events. The report is staticky but audible. When it’s done, you try the front door and the hall door. Both are locked. There’s one more door, down a set of stairs, leading to the basement. Yes, the basement you just came from.
So you try that door. You swing it open, and beyond you find the same dirty hallway, the same lights and cockroaches and rain. It’s a sight you’ll want to get used to, because every trip through that door leads back into the same hallway.
From here, the ambiance takes over. Musical cues and sound effects become just as important as the lighting. Playing with headphones is a must, and this hallway comes to life.
P.T. is a psychological adventure, so I’m not going to spoil all of the fun things that happen along the way. There are many puzzles to solve, most of them extremely difficult. This is not an understatement; the game’s creator recently said he wanted this thing to take at least a week to solve, and require teamwork from people around the world. This is evident as flashes of text in multiple languages pop up on the screen, and the events that play out are randomized—how one person solves a puzzle can be completely different from how another person solves it. If you ever played video games before internet guides existed, you might remember your friends at school swearing that if you do some quirky thing or another, something special will happen. “Stand right here, spin around three times, press A-B-A-B-X-X-Y-Y and you get the ultimate weapon!”
P.T. conjures echoes of that, with people on the internet swearing by certain events that produce no results for others who try them. The psychological creepiness of this game extends far beyond the game itself.
There’s another aspect to the horror of this game. It doesn’t take many trips through the ever-looping hallway before your character begins to be followed, and then directly haunted by an ethereal being. This creature will persist through the rest of the demo, and can get you at any time. Sometimes she’s harmless, other times she kills you, sending you back to the basement (but with all of your progress intact). Oh, and don’t make the mistake of feeling safe on the pause screen.
Atmosphere is the main source of scares in P.T., which is exactly what the horror genre needs. It can be frightening to see a horde of creatures approaching you, it can impose a sense of impending doom that makes you sweat as you try to off the nearest ones or simply run away successfully, but I think it’s more frightening if a game manages to give you that sense of impending doom without any visible cues at all. “Something’s going to get me pretty soon” is always trumped by “Something’s going to get me and I have no idea what, how, or when.” P.T.‘s essence is the latter.
Keeping with its psychological undertones, P.T. is more than it seems. Beating the game unlocks a post-game trailer that reveals all. If you want to unlock it yourself (and have somehow avoided all of the news spoiling it), you should stop reading here. Otherwise, feel free to press on to the next page.